| A Goofball’s Quest: Slam Dunk for Survival |
Like many of Will Ferrell’s recent films, “Semi-Pro” finds the sweet spot between sports melodrama and parody, and hammers it for 90 diverting minutes. Source: NYT |
| A Goofball’s Quest: Slam Dunk for Survival |
Like many of Will Ferrell’s recent films, “Semi-Pro” finds the sweet spot between sports melodrama and parody, and hammers it for 90 diverting minutes. Source: NYT |
| A Goofball’s Quest: Slam Dunk for Survival |
Like many of Will Ferrell’s recent films, “Semi-Pro” finds the sweet spot between sports melodrama and parody, and hammers it for 90 diverting minutes. Source: NYT |
| A Guy, His Psychic and a Jealous Ghost |
For what it is — a romantic comedy about the rivalry between a jealous ghost and a flaky psychic for the love of a veterinarian — “Over Her Dead Body” is not bad. Source: NYT |
| A Haircut, With an Affair and Highlights of Support |
In the Beirut beauty salon where most of “Caramel” takes place, women of various shapes, sizes, ages and backgrounds gather to bond and gossip. Source: NYT |
| A Haunting Enigma of Violence and Chaos |
The picture of Iceland that emerges in Baltasar Kormákur’s “Jar City” is vivid and powerful but not something the country’s tourist board would be likely to endorse. Source: NYT |
| A Haunting Enigma of Violence and Chaos |
The picture of Iceland that emerges in Baltasar Kormákur’s “Jar City” is vivid and powerful but not something the country’s tourist board would be likely to endorse. Source: NYT |
| A Haunting Enigma of Violence and Chaos |
The picture of Iceland that emerges in Baltasar Kormákur’s “Jar City” is vivid and powerful but not something the country’s tourist board would be likely to endorse. Source: NYT |
| A Haunting Enigma of Violence and Chaos |
The picture of Iceland that emerges in Baltasar Kormákur’s “Jar City” is vivid and powerful but not something the country’s tourist board would be likely to endorse. Source: NYT |
| A Haunting Enigma of Violence and Chaos |
The picture of Iceland that emerges in Baltasar Kormákur’s “Jar City” is vivid and powerful but not something the country’s tourist board would be likely to endorse. Source: NYT |
| A House Divided by Old Magic and New Residents |
Instead of the kind of inspired imaginative synergy that distinguished the “Lord of the Rings,” “The Spiderwick Chronicles” feels more like a sloppy, secondhand pander. Source: NYT |
| A House Divided by Old Magic and New Residents |
Instead of the kind of inspired imaginative synergy that distinguished the “Lord of the Rings,” “The Spiderwick Chronicles” feels more like a sloppy, secondhand pander. Source: NYT |
| A House Divided by Old Magic and New Residents |
Instead of the kind of inspired imaginative synergy that distinguished the “Lord of the Rings,” “The Spiderwick Chronicles” feels more like a sloppy, secondhand pander. Source: NYT |
| A House Divided by Old Magic and New Residents |
Instead of the kind of inspired imaginative synergy that distinguished the “Lord of the Rings,” “The Spiderwick Chronicles” feels more like a sloppy, secondhand pander. Source: NYT |
| A House Divided by Old Magic and New Residents |
Instead of the kind of inspired imaginative synergy that distinguished the “Lord of the Rings,” “The Spiderwick Chronicles” feels more like a sloppy, secondhand pander. Source: NYT |
| A House Divided by Old Magic and New Residents |
Instead of the kind of inspired imaginative synergy that distinguished the “Lord of the Rings,” “The Spiderwick Chronicles” feels more like a sloppy, secondhand pander. Source: NYT |
| A House Divided by Old Magic and New Residents |
Instead of the kind of inspired imaginative synergy that distinguished the “Lord of the Rings,” “The Spiderwick Chronicles” feels more like a sloppy, secondhand pander. Source: NYT |
| A House Divided by Old Magic and New Residents |
Instead of the kind of inspired imaginative synergy that distinguished the “Lord of the Rings,” “The Spiderwick Chronicles” feels more like a sloppy, secondhand pander. Source: NYT |
| A Knack for Being the Bad Boy |
The British actor Ian McShane opens next week as the patriarch Max in Harold Pinter’s “Homecoming,” a man-monster of diminishing powers and, of course, many vulgarities. Source: NYT |
| A Knack for Being the Bad Boy |
The British actor Ian McShane opens next week as the patriarch Max in Harold Pinter’s “Homecoming,” a man-monster of diminishing powers and, of course, many vulgarities. Source: NYT |