| A Portraitist of a Subdued, Literary Korea |
Lee Chang-dong, director of “Secret Sunshine,” speaks of intangibles like faith rather than more showy things. Source: NYT |
| A Prairie Home Companion |
IA Prairie Home CompanionI, which marks the screenwriting debut of Keillor nicknamed G.K., is the type of feel-good, jovial time that makes people want to go to the movies. What it lacks in plot it more than makes up for in chuckles and consistently cheeky humor. The story is simple: the radio show, undergoing a fictional makeover for the movie, is being bought out and discontinued by a Texas corporation, represented by The Axeman Tommy Lee Jones. On a rainy Saturday night in front of a live audience, this show will be their last. Source: Cinema Blend |
| A Prairie Home Companion |
Source: RollingStone.com |
| A Prairie Home Companion |
( Release: Jun. 9, 2006 Rated: PG-13 - for risqué humor Avg. Score: 5/5
Details | Trailers | Photos | Reviews
) The Gist —
Lovely, diverse cast Source: Movies.com |
| A Prairie Home Companion |
In much the same way that the radio show works, this film charms its audiences with clever jokes, rousing tunes, and endearing characters. Robert Altman and Garrison Keillor form a winning duo in bringing the show to the big screen. Source: Rotten Tomatoes |
| A Prairie Home Companion |
You don't have to be an NPR junkie to appreciate Garrison Keillor and Robert Altman's sweet, gently funny tale about an old-fashioned radio show taking its last bow. Source: Hollywood.com |
| A Prairie Home Companion - 6/10/2006 |
Source: filmcritic.com |
| A Prairie Home Companion / **** (PG-13) |
Robert Altman's salute to Garrison Keillor's great radio program is gentle and whimsical, simple and profound. As the story opens, the program is going off the air and its theater has been sold, but "G.K." refuses to treat the last show as different from any other. With Lily Tomlin and Meryl Streep as the survivors of a family quartet, Woody Harrelson and John C. Reilly as singing cowboy comedians, Kevin Kline as the security man Guy Noir, Virginia Madsen as a mysterious stranger, and many members of the program's own staff and musicians playing themselves. Just plain fun from beginning to end. Source: RogerEbert Headlines |
| A Rampage That Shook New Zealand |
“Out of the Blue,” by the writer and director Robert Sarkies, dramatizes the terror of a day of massacre without exploiting it. Source: NYT |
| A Rampage That Shook New Zealand |
“Out of the Blue,” by the writer and director Robert Sarkies, dramatizes the terror of a day of massacre without exploiting it. Source: NYT |
| A Rampage That Shook New Zealand |
“Out of the Blue,” by the writer and director Robert Sarkies, dramatizes the terror of a day of massacre without exploiting it. Source: NYT |
| A Rampage That Shook New Zealand |
“Out of the Blue,” by the writer and director Robert Sarkies, dramatizes the terror of a day of massacre without exploiting it. Source: NYT |
| A Rampage That Shook New Zealand |
“Out of the Blue,” by the writer and director Robert Sarkies, dramatizes the terror of a day of massacre without exploiting it. Source: NYT |
| A Rampage That Shook New Zealand |
“Out of the Blue,” by the writer and director Robert Sarkies, dramatizes the terror of a day of massacre without exploiting it. Source: NYT |
| A Rampage That Shook New Zealand |
“Out of the Blue,” by the writer and director Robert Sarkies, dramatizes the terror of a day of massacre without exploiting it. Source: NYT |
| A Rampage That Shook New Zealand |
“Out of the Blue,” by the writer and director Robert Sarkies, dramatizes the terror of a day of massacre without exploiting it. Source: NYT |
| A Rampage That Shook New Zealand |
“Out of the Blue,” by the writer and director Robert Sarkies, dramatizes the terror of a day of massacre without exploiting it. Source: NYT |
| A Rampage That Shook New Zealand |
“Out of the Blue,” by the writer and director Robert Sarkies, dramatizes the terror of a day of massacre without exploiting it. Source: NYT |
| A Rampage That Shook New Zealand |
“Out of the Blue,” by the writer and director Robert Sarkies, dramatizes the terror of a day of massacre without exploiting it. Source: NYT |
| A Rampage That Shook New Zealand |
“Out of the Blue,” by the writer and director Robert Sarkies, dramatizes the terror of a day of massacre without exploiting it. Source: NYT |