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Read movie reviews from the leading film critics all in one place. Click on the movie name for details:
American Motherhood and the Question of Home Birth “The Business of Being Born” is a passionate ground-level examination of home childbirth. Source: NYT
American Motherhood and the Question of Home Birth “The Business of Being Born” is a passionate ground-level examination of home childbirth. Source: NYT
American Motherhood and the Question of Home Birth “The Business of Being Born” is a passionate ground-level examination of home childbirth. Source: NYT
American Motherhood and the Question of Home Birth “The Business of Being Born” is a passionate ground-level examination of home childbirth. Source: NYT
American Motherhood and the Question of Home Birth “The Business of Being Born” is a passionate ground-level examination of home childbirth. Source: NYT
American Motherhood and the Question of Home Birth “The Business of Being Born” is a passionate ground-level examination of home childbirth. Source: NYT
American Motherhood and the Question of Home Birth “The Business of Being Born” is a passionate ground-level examination of home childbirth. Source: NYT
Americanese / ***1/2 (Not rated) A divorced San Francisco professor (Chris Tashima) is seen halfway between the end of his relationship with a Chinese-American woman (Allison Sie) and the beginning of one born in Vietnam (Joan Chen). Not a conventional story of facile romance, but an exploration of the issues beneath the surface, of race and self-image. Uncommonly absorbing. Directed by Eric Byler ("Charlotte Sometimes") and co-written by Byler and Shawn Wong, based on Wong's novel. Deeper and more moving in its adult thoughtfulness than the superficialities of most Hollywood romances. (None, 107 min.) Source: RogerEbert Headlines
An Actor Whose Approach to Singing Lets the Words Take Center Stage Johnny Depp’s performance as captured on screen in “Sweeney Todd” is stunning in every dimension: dramatically, psychologically, physically and, yes, vocally. Source: NYT
An Actor Whose Work Will Outlast the Frenzy Heath Ledger was serious and smart enough to be suspicious of deploying his charisma too easily or cheaply. Source: NYT
An Addict and a Widow With a Lot of Pain to Heal “Things We Lost in the Fire” bends over backward to prove that serious American movies can hold their own with the best films from overseas. Source: NYT
An Addict and a Widow With a Lot of Pain to Heal “Things We Lost in the Fire” bends over backward to prove that serious American movies can hold their own with the best films from overseas. Source: NYT
An Addict and a Widow With a Lot of Pain to Heal “Things We Lost in the Fire” bends over backward to prove that serious American movies can hold their own with the best films from overseas. Source: NYT
An Addict and a Widow With a Lot of Pain to Heal “Things We Lost in the Fire” bends over backward to prove that serious American movies can hold their own with the best films from overseas. Source: NYT
An Addict and a Widow With a Lot of Pain to Heal “Things We Lost in the Fire” bends over backward to prove that serious American movies can hold their own with the best films from overseas. Source: NYT
An Addict and a Widow With a Lot of Pain to Heal “Things We Lost in the Fire” bends over backward to prove that serious American movies can hold their own with the best films from overseas. Source: NYT
An Addict and a Widow With a Lot of Pain to Heal “Things We Lost in the Fire” bends over backward to prove that serious American movies can hold their own with the best films from overseas. Source: NYT
An Addict and a Widow With a Lot of Pain to Heal “Things We Lost in the Fire” bends over backward to prove that serious American movies can hold their own with the best films from overseas. Source: NYT
An Addict and a Widow With a Lot of Pain to Heal “Things We Lost in the Fire” bends over backward to prove that serious American movies can hold their own with the best films from overseas. Source: NYT
An Addict and a Widow With a Lot of Pain to Heal “Things We Lost in the Fire” bends over backward to prove that serious American movies can hold their own with the best films from overseas. Source: NYT

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