| An Inconvenient Truth |
( Release: May. 26, 2006 Rated: PG Avg. Score: 4/5
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) The Gist —
Al Gore gets preachy about global warming Source: Movies.com |
| An Inconvenient Truth |
Halloween, Friday the 13th, step aside. America has a new kind of horror film--the global-warming documentary An Inconvenient Truth. It features nothing supernatural, absolutely no blood but plenty of Gore--Al Gore, that is--and should scare you silly. Source: Hollywood.com |
| An Inconvenient Truth - 5/24/2006 |
Source: filmcritic.com |
| An Inconvenient Truth / **** (PG) |
Global warming is real, and unless it is reversed, the planet will pass a "tipping point" in about 10 years and start a slide into the destruction of civilization. Al Gore says this is not his opinion, "but the consensus of 100 percent of the scientists who have studied the subject." It is not a political issue, Gore says, but a moral issue. This documentary, skillfully directed by David Guggenheim, is not the boring lecture you might expect, but fascinating and relentless. In 39 years I have never written these words in a movie review, but here they are: You owe it to yourself to see this film. Source: RogerEbert Headlines |
| An Indie Company Counting on a Future Takes 3 Films to Sundance |
Michael London, the producer of the indie hit “Sideways,” got his feet wet with that movie. Now with three films at Sundance, he’s taken the plunge. Source: NYT |
| An Indie Company Counting on a Future Takes 3 Films to Sundance |
Michael London, the producer of the indie hit “Sideways,” got his feet wet with that movie. Now with three films at Sundance, he’s taken the plunge. Source: NYT |
| An Indie Company Counting on a Future Takes 3 Films to Sundance |
Michael London, the producer of the indie hit “Sideways,” got his feet wet with that movie. Now with three films at Sundance, he’s taken the plunge. Source: NYT |
| An Indie Company Counting on a Future Takes 3 Films to Sundance |
Michael London, the producer of the indie hit “Sideways,” got his feet wet with that movie. Now with three films at Sundance, he’s taken the plunge. Source: NYT |
| An Indie Company Counting on a Future Takes 3 Films to Sundance |
Michael London, the producer of the indie hit “Sideways,” got his feet wet with that movie. Now with three films at Sundance, he’s taken the plunge. Source: NYT |
| An Indie Company Counting on a Future Takes 3 Films to Sundance |
Michael London, the producer of the indie hit “Sideways,” got his feet wet with that movie. Now with three films at Sundance, he’s taken the plunge. Source: NYT |
| An Obsessive Love of Prayer |
“Praying With Lior” documents the extraordinary life of Lior Liebling, a rabbi’s son with Down syndrome. Source: NYT |
| An Obsessive Love of Prayer |
“Praying With Lior” documents the extraordinary life of Lior Liebling, a rabbi’s son with Down syndrome. Source: NYT |
| An Obsessive Love of Prayer |
“Praying With Lior” documents the extraordinary life of Lior Liebling, a rabbi’s son with Down syndrome. Source: NYT |
| An Obsessive Love of Prayer |
“Praying With Lior” documents the extraordinary life of Lior Liebling, a rabbi’s son with Down syndrome. Source: NYT |
| An Obsessive Love of Prayer |
“Praying With Lior” documents the extraordinary life of Lior Liebling, a rabbi’s son with Down syndrome. Source: NYT |
| An Overabundance of Hormones |
Chico Teixeira’s languid, libidinous “Alice’s House” is the best argument against marriage and motherhood to appear in many a year. Source: NYT |
| An Overabundance of Hormones |
Chico Teixeira’s languid, libidinous “Alice’s House” is the best argument against marriage and motherhood to appear in many a year. Source: NYT |
| An Overabundance of Hormones |
Chico Teixeira’s languid, libidinous “Alice’s House” is the best argument against marriage and motherhood to appear in many a year. Source: NYT |
| An Overabundance of Hormones |
Chico Teixeira’s languid, libidinous “Alice’s House” is the best argument against marriage and motherhood to appear in many a year. Source: NYT |
| An Overabundance of Hormones |
Chico Teixeira’s languid, libidinous “Alice’s House” is the best argument against marriage and motherhood to appear in many a year. Source: NYT |